Miyu followed the snake she named Mr. Gardener to the workshop, keeping her eyes glued on the quick snake that was one of Midori's many little snake friends. As they reached her workshop, she bent down as her Chakra Strings brought a cage she kept with various reptiles and small animals to give to Midori's friends as treats when they stopped by and she was there.
Reaching in she grabbed a mouse by the tail, and offered it to him,
"I know you can't really understand me, but thanks Mr. Gardener. Wait for me, I'll be done in a second ... and this time there will be no more secrets."Tipping over her workbench in the center of the room, she worked on getting each of the three wooden blocks that it stood on, and leaving the other to where it belonged. It being just a normal block for balancing the table. Before going to the side of her room and getting a number of thin wooden sheets that had a sealing Fuuin hidden on the other side of them, with a series of numbers painted on the far, upper right corner.
The three books were her last five, almost six years, of notes, thought experiments, diagrams, actual experimental jutsu that she either had yet to work on, or was in the process of polishing. Or in the case of the
Black Book all of the horrors her mind had shown her. As was the curse with her boundless creativity. Her mind was able to see the connections and similarities between everything she ever read and let her unique thinking process see how it could be created. Every page tear stained, and the writing shaky, as if one could almost feel the raw pain it inflicted upon her soul to write the words, or draw the illustrations and diagrams.
But for every dozen or so things of uniqueness or beauty. There was one thing forced upon her conscious mind that would give her nightmares for weeks. And those evils of the world ended up in that book.
The Book of Secrets was where the memory experiments where written. It was where she put down all of the things her mind processed and thought were interesting. But she was afraid of showing Satori or Midori. Either because they dealt with things that could be considered violations of the rules of Nature, Reality, or were simply something that if she failed, she would be too embarrassed that they knew she was trying it.
And the final book. Wasn't one of evil, or one of things she thought would be looked down upon. But rather just something akin to a private journal of experiments.
The Book of the Weird full of "What if ...?"; "If I were to ... what would happen?"; "What would happen if ...?"; To simple esoteric and strange thought experiments, flights of whimsy given a scientific bent, thought exercises that allowed her mind to be as creative and adaptable as it was. It was, in other words. Fun, for the sake of having fun.
But it did show one thing. That she didn't just think outside the box. Her thinking wasn't even in the same nation as the factory the box was made in. A mind that simply didn't see the words impossible as a thing, didn't see "that can't be done" as in her vocabulary, and didn't have fear of the unknown. As much as an insatiable appetite to know, to dream, to grasp at what others would see as the unobtainable, merely to see what would happen.
As for the boards. The numbers tied book, and reference number. To scrolls sealed within them. A place for when she moved outside of research, to throw paint at the wall to see what would stick. With the opposite side of the scroll detailing what she learned and ways to polish it. That was for those she actually moved to the testing phase, rather than putting them down for later (which was sadly the case for most of the scrolls.)
Following Mr. Gardener back to the house she would get there just as Shimiko was finishing up talking to Satori. She set the wood planks down, and unsealed the ones detailing her experiments on the mind, as well as ones that would be connected to perceptions, and how the body processed chakra.
She would then unseal the books, and hand
the Book of the Weird and
the Black Book before Midori and Shimiko and tell them the basics of what they were, as she handed the necessary scrolls and Book of Secrets to Satori.
"No more secrets from each other. I see what me doing that has wrought and well. In this room is my secrets of the last almost six years. The good and the nightmare inducing ... and I'll need to appologise to Midori later for not telling her the truth." Dumping the scrolls by Satori she'd say,
"There is a lot of important things to discuss, most important for me personally if I am still part of the clan feeling Spiritual fulfillment from the Clan Customs, and see the connections between what I have been doing and the Seikyōkai.
"But all that can wait. I need you to help me find what Fuuin scroll I used, and what part of the thought experiment I fucked up on. So you can break it. I accidentally sealed away memories! Like almost all between my Naming Ceremony till the Mission where I got my arm blown off." She'd then open the book to a section detailing the spaces between thoughts, how even the fastest ninja had gaps between senses and the brain translating it. Before a highly detailed analysis of memories and all the errors the brain did with processing them.
Along with either source material or personal musings. Before it went into thoughts and ideas on how to play around with those erroneous systems. As well as how the various things might be used to help Midori with the darkness her Bloodline had inflicted upon her. Either by giving greater time to process when things went wrong, erasing the negative memories or personality traits from her conscious, give her enhanced mental control over all the pain she felt, etc.
Miyu would then show him all the scrolls she made on that subject. Each one flowing between a hatchet job of different seals and formulas that to a trained professional, which Miyu was not, would look unstable. And moving up the scale to mind boggling, as in there was no way something like it should function. But all the base mechanics allowed it to do something, but not without a vast amount of unknown side effects.
"These are all the things I had been experimenting with on the subject, but since I don't have formal training ... well. I know just enough to force a working solution ... But no idea how to fix it, or if several of those built upon one another to make something new and more dangerously complex? Can you fix it?"______________
OOC: For the Black Book. Think basically
Book of Vile Darkness and the Necronomicon. (Basically think evil and nightmare inducing beyond the knowledge of mortal kin. And McGuffin it to 11.)