Hisha would leave on a ship as per usual, with Adzuki on alert and with all of his things. He would sail back home.
Travel Kiri
96 hours
Travel Kiri
96 hours
Leaving
Hisha- Mist Genin
- Village : N/A
Posts : 280
Join date : 2021-07-19
Character File
Skills & Elements: None
Class: E
Ryo: Broke
_________________
Strength: D
Constitution: D
Stamina: B
Speed: D
Coordination: C
Intelligence: B
Perception: C
Hisha- Mist Genin
- Village : N/A
Posts : 280
Join date : 2021-07-19
Character File
Skills & Elements: None
Class: E
Ryo: Broke
As he traveled, Hisha thought back in time to some of his training, remembering fondly perhaps the only other person who made use of barriers from when he was freshly out of the academy. Back then, he had shown such talent but had a clearer path. In those time in the bustling village of Kirigakure, nestled between rolling hills and a sea of whispering pines, he had studied and graduated only recently from the academy training. From a young age, the flicker of curiosity in his eyes hinted at an innate connection to the mystical arts. Recognizing his potential, the village elders entrusted him to the guidance of Master Kairo, a venerable sage with a long history of mastering the elemental seals. It had not been since then and Blitz that the village had taken any real interest in him. Hisha's journey into the arcane world of sealing commenced with the Flame Art Seal, a discipline that channeled the untamed energies of fire. In the humble training grounds, surrounded by the warm hues of the setting sun, Master Kairo handed Hisha a brush dipped in fiery ink. The ancient scrolls depicting the Flame Art Seal unfolded before them, revealing intricate symbols that seemed to dance with an inner flame.
With Master Kairo's patient guidance, Hisha began his initiation into the art of calligraphy, learning the precise strokes that would bring the fiery symbols to life. Each stroke carried the essence of flames, and Hisha's movements mirrored the rhythm of a crackling bonfire. The air around them seemed to hum with the energy of newfound knowledge. Perhaps it was this ability and training of calligraphy that made him a relatively talented artist. Meditation sessions under the wise gaze of Master Kairo became an integral part of Hisha's training. In a tranquil corner of Kirigakure, surrounded by the gentle rustle of leaves, Hisha learned to attune his mind to the element of fire. In these moments of introspection, he felt the warmth of the flames within, a connection that transcended the physical realm.
As Hisha delved deeper into the Flame Art Seal, he discovered the symbiotic relationship between his inner fire and the external flames. The calligraphy transformed into a dance, a graceful choreography of strokes that echoed the flickering flames. Master Kairo observed with pride as Hisha's understanding of the elemental balance grew. Practice sessions were an essential aspect of Hisha's training. In the glow of Kirigakure's lanterns, he meticulously replicated the Flame Art Seal on parchment, imprinting the symbols with the precision he had honed through countless hours of practice. The flames, once elusive and untamed, began to respond to his command, forming ethereal patterns that mirrored his intentions.
As the seasons changed, so did the complexity of Hisha's lessons. Master Kairo introduced him to advanced techniques within the Flame Art Seal, allowing him to conjure controlled bursts of fire and manipulate the temperature with finesse and capture them within the seal just as easily. Hisha's mastery over the flames became a spectacle that captivated the entire village, instilling a sense of awe and admiration. Kirigakure, once a village shrouded in quiet simplicity, now resonated with the crackling energy of Hisha's newfound abilities. The flickering flames in his eyes mirrored the dance of fire he had come to command. Villagers sought his blessings for their hearths and celebrations, recognizing the young boy as a guardian of their warmth and vitality.
The bond between Master Kairo and Hisha deepened, transcending the roles of teacher and student. Their conversations under the starlit skies delved into the philosophical aspects of the Flame Art Seal, exploring the interconnectedness of all things and the transformative power of fire. And there were other similar seals for him to learn and master. Hisha absorbed not only the techniques but also the wisdom that came with mastering the elemental arts. In the heart of Kirigakure, a festival was organized to celebrate Hisha's achievements. The village square was adorned with vibrant banners, and the air was filled with the scent of burning incense. Hisha, adorned in ceremonial robes, demonstrated the Flame Art Seal in a dazzling display that painted the night sky with hues of red and gold and extinguished them just as quickly.
As the final embers of the festival flickered away, Master Kairo approached Hisha with a sense of fulfillment. The young boy had not only mastered the Flame Art Seal but had also embraced the responsibility that came with wielding such elemental power. Kirigakure, once a haven of quietude, now stood as a testament to the harmonious coexistence between its people and the fiery forces Hisha had learned to command. With the Flame Art Seal engraved in his heart and etched in the scrolls of Kirigakure's history, Hisha's journey continued. The villagers looked to him not just as a skilled practitioner of the sealing arts but as a beacon of inspiration, a living embodiment of the transformative potential that lay within the pursuit of mastery.
With Master Kairo's patient guidance, Hisha began his initiation into the art of calligraphy, learning the precise strokes that would bring the fiery symbols to life. Each stroke carried the essence of flames, and Hisha's movements mirrored the rhythm of a crackling bonfire. The air around them seemed to hum with the energy of newfound knowledge. Perhaps it was this ability and training of calligraphy that made him a relatively talented artist. Meditation sessions under the wise gaze of Master Kairo became an integral part of Hisha's training. In a tranquil corner of Kirigakure, surrounded by the gentle rustle of leaves, Hisha learned to attune his mind to the element of fire. In these moments of introspection, he felt the warmth of the flames within, a connection that transcended the physical realm.
As Hisha delved deeper into the Flame Art Seal, he discovered the symbiotic relationship between his inner fire and the external flames. The calligraphy transformed into a dance, a graceful choreography of strokes that echoed the flickering flames. Master Kairo observed with pride as Hisha's understanding of the elemental balance grew. Practice sessions were an essential aspect of Hisha's training. In the glow of Kirigakure's lanterns, he meticulously replicated the Flame Art Seal on parchment, imprinting the symbols with the precision he had honed through countless hours of practice. The flames, once elusive and untamed, began to respond to his command, forming ethereal patterns that mirrored his intentions.
As the seasons changed, so did the complexity of Hisha's lessons. Master Kairo introduced him to advanced techniques within the Flame Art Seal, allowing him to conjure controlled bursts of fire and manipulate the temperature with finesse and capture them within the seal just as easily. Hisha's mastery over the flames became a spectacle that captivated the entire village, instilling a sense of awe and admiration. Kirigakure, once a village shrouded in quiet simplicity, now resonated with the crackling energy of Hisha's newfound abilities. The flickering flames in his eyes mirrored the dance of fire he had come to command. Villagers sought his blessings for their hearths and celebrations, recognizing the young boy as a guardian of their warmth and vitality.
The bond between Master Kairo and Hisha deepened, transcending the roles of teacher and student. Their conversations under the starlit skies delved into the philosophical aspects of the Flame Art Seal, exploring the interconnectedness of all things and the transformative power of fire. And there were other similar seals for him to learn and master. Hisha absorbed not only the techniques but also the wisdom that came with mastering the elemental arts. In the heart of Kirigakure, a festival was organized to celebrate Hisha's achievements. The village square was adorned with vibrant banners, and the air was filled with the scent of burning incense. Hisha, adorned in ceremonial robes, demonstrated the Flame Art Seal in a dazzling display that painted the night sky with hues of red and gold and extinguished them just as quickly.
As the final embers of the festival flickered away, Master Kairo approached Hisha with a sense of fulfillment. The young boy had not only mastered the Flame Art Seal but had also embraced the responsibility that came with wielding such elemental power. Kirigakure, once a haven of quietude, now stood as a testament to the harmonious coexistence between its people and the fiery forces Hisha had learned to command. With the Flame Art Seal engraved in his heart and etched in the scrolls of Kirigakure's history, Hisha's journey continued. The villagers looked to him not just as a skilled practitioner of the sealing arts but as a beacon of inspiration, a living embodiment of the transformative potential that lay within the pursuit of mastery.
_________________
Strength: D
Constitution: D
Stamina: B
Speed: D
Coordination: C
Intelligence: B
Perception: C
Hisha- Mist Genin
- Village : N/A
Posts : 280
Join date : 2021-07-19
Character File
Skills & Elements: None
Class: E
Ryo: Broke
He continued to reminisce about his time in the village of Kirigakure. He’d spent such a significant time training with the Master Kairo and only learned a single technique but in short order he was ready to move on to the following sets, which should be come more simple as he was more versed in the basic principle. Hisha's journey into the arcane world of sealing continued, and Master Kairo decided to expand his knowledge beyond the Flame Art Seal. The thunderous skies above Kirigakure witnessed the beginning of Hisha's initiation into the Thunder Art Seal. Under the canopy of stormy clouds, Master Kairo handed him a brush charged with electric ink, and ancient scrolls unfurled, revealing symbols that crackled with the energy of thunder.
Calligraphy sessions became a mesmerizing dance, as Hisha learned to trace the lightning-infused symbols with precision. The air reverberated with the echoes of distant thunderstorms, and each stroke of the brush became a harmonious convergence of art and elemental power. Master Kairo, with his eyes mirroring the electric charge of the symbols, guided Hisha through the nuances of the Thunder Art Seal. Meditation took on a new dimension as Hisha attuned his mind to the electric currents that surged within the Thunder Art Seal. In moments of quiet contemplation, he felt the raw power of lightning coursing through him, forging a connection that transcended the material world. The skies above Kirigakure seemed to respond to his newfound resonance with thunder.
As practice sessions unfolded, Hisha conjured controlled bursts of lightning, casting an ethereal glow across the village and then dousing it. The once-dreaded storms became a spectacle of controlled power, a testament to Hisha's growing mastery over the Thunder Art Seal. The villagers, once wary of thunder, now marveled at the boy who had learned to tame its ferocious might. Master Kairo, satisfied with Hisha's progress, guided him toward the vast expanse of the heavens – the Sky Art Seal awaited. Meditative sessions beneath the open sky became a celestial journey, as Hisha learned to navigate the cosmic energies that governed the atmosphere. The village square became his canvas, and the clouds responded to his mental commands, forming intricate patterns that mirrored the dance of the stars.
With the Sky Art Seal adorning his repertoire, Hisha's connection to the cosmos deepened. His meditative flights among celestial bodies revealed the interconnectedness of all things, and the villagers looked to the heavens with newfound reverence. Kirigakure, once enveloped in mist and mystery, now bore witness to the celestial artistry of its young practitioner. Transitioning from the boundless sky to the solid earth, Hisha delved into the grounding energies of the Stone Art Seal. Calligraphy strokes transformed into unyielding barriers, mimicking the resilience of ancient mountains. Master Kairo guided him through the intricacies of manipulating the very bedrock beneath their feet, creating barriers that stood as a testament to Hisha's newfound command over the earth. He was able to excavate huge swathes of land with this as well.
Ocean Art Seal training followed, immersing Hisha in the fluidity of water. By the tranquil streams of Kirigakure, he honed his control over the ebb and flow of currents. The brush became an extension of the rhythmic tides, and each practiced stroke created a mesmerizing dance that mirrored the vast oceans. Kirigakure, surrounded by mist and water, resonated with the fluid movements of Hisha's artistry. As Hisha's mastery over the sealing arts expanded, Kirigakure transformed into a haven of elemental harmony. The villagers, once cautious of Hisha's abilities, now regarded him as a guardian of their village – a living embodiment of the Thunder, Sky, Stone, and Ocean Art Seals. Master Kairo, with a sense of fulfillment, watched as the young boy became a bridge between the natural elements and the people of Kirigakure. The power of the Ocean seal particularly gave him a great advantage over many of the shinobi of the mist village itself. With each seal mastered, Hisha's journey unfolded as a testament to the transformative power of the sealing arts. The village, once veiled in mist and secrets, now thrived under the benevolent gaze of its young sealing master. Kirigakure, a haven of elemental balance, stood as a living legacy to the harmonious coexistence between its people and the mystical forces Hisha had learned to wield.
Calligraphy sessions became a mesmerizing dance, as Hisha learned to trace the lightning-infused symbols with precision. The air reverberated with the echoes of distant thunderstorms, and each stroke of the brush became a harmonious convergence of art and elemental power. Master Kairo, with his eyes mirroring the electric charge of the symbols, guided Hisha through the nuances of the Thunder Art Seal. Meditation took on a new dimension as Hisha attuned his mind to the electric currents that surged within the Thunder Art Seal. In moments of quiet contemplation, he felt the raw power of lightning coursing through him, forging a connection that transcended the material world. The skies above Kirigakure seemed to respond to his newfound resonance with thunder.
As practice sessions unfolded, Hisha conjured controlled bursts of lightning, casting an ethereal glow across the village and then dousing it. The once-dreaded storms became a spectacle of controlled power, a testament to Hisha's growing mastery over the Thunder Art Seal. The villagers, once wary of thunder, now marveled at the boy who had learned to tame its ferocious might. Master Kairo, satisfied with Hisha's progress, guided him toward the vast expanse of the heavens – the Sky Art Seal awaited. Meditative sessions beneath the open sky became a celestial journey, as Hisha learned to navigate the cosmic energies that governed the atmosphere. The village square became his canvas, and the clouds responded to his mental commands, forming intricate patterns that mirrored the dance of the stars.
With the Sky Art Seal adorning his repertoire, Hisha's connection to the cosmos deepened. His meditative flights among celestial bodies revealed the interconnectedness of all things, and the villagers looked to the heavens with newfound reverence. Kirigakure, once enveloped in mist and mystery, now bore witness to the celestial artistry of its young practitioner. Transitioning from the boundless sky to the solid earth, Hisha delved into the grounding energies of the Stone Art Seal. Calligraphy strokes transformed into unyielding barriers, mimicking the resilience of ancient mountains. Master Kairo guided him through the intricacies of manipulating the very bedrock beneath their feet, creating barriers that stood as a testament to Hisha's newfound command over the earth. He was able to excavate huge swathes of land with this as well.
Ocean Art Seal training followed, immersing Hisha in the fluidity of water. By the tranquil streams of Kirigakure, he honed his control over the ebb and flow of currents. The brush became an extension of the rhythmic tides, and each practiced stroke created a mesmerizing dance that mirrored the vast oceans. Kirigakure, surrounded by mist and water, resonated with the fluid movements of Hisha's artistry. As Hisha's mastery over the sealing arts expanded, Kirigakure transformed into a haven of elemental harmony. The villagers, once cautious of Hisha's abilities, now regarded him as a guardian of their village – a living embodiment of the Thunder, Sky, Stone, and Ocean Art Seals. Master Kairo, with a sense of fulfillment, watched as the young boy became a bridge between the natural elements and the people of Kirigakure. The power of the Ocean seal particularly gave him a great advantage over many of the shinobi of the mist village itself. With each seal mastered, Hisha's journey unfolded as a testament to the transformative power of the sealing arts. The village, once veiled in mist and secrets, now thrived under the benevolent gaze of its young sealing master. Kirigakure, a haven of elemental balance, stood as a living legacy to the harmonious coexistence between its people and the mystical forces Hisha had learned to wield.
_________________
Strength: D
Constitution: D
Stamina: B
Speed: D
Coordination: C
Intelligence: B
Perception: C
Hisha- Mist Genin
- Village : N/A
Posts : 280
Join date : 2021-07-19
Character File
Skills & Elements: None
Class: E
Ryo: Broke
Once more he would remember a training session back in the village that was hidden in the mist, where mist clung to the rolling hills and ancient trees whispered tales of old, the journey of Hisha through the powers of fuinjutsu and sealing continued. Master Kairo, the venerable sage, recognized that it was time for Hisha to embark on a profound exploration – the elusive Empty Art Seal awaited.Under the shade of the ancient Wisdom Tree, its branches reaching towards the heavens, Master Kairo initiated Hisha into the mysteries of the Empty Art Seal. The air seemed to still, and the ambient sounds of the village hushed as the sage handed Hisha a brush infused with ethereal ink. The ancient scrolls unfurled, revealing symbols that held the essence of nothingness, a void waiting to be explored.
Calligraphy sessions with the Empty Art Seal were unlike any Hisha had experienced before. Instead of creating tangible forms, he delved into the art of absence, of the spaces between strokes. Each movement of the brush was a dance with emptiness, and Hisha felt the profound power that lay in the void. Master Kairo guided him with silent wisdom, allowing the emptiness to become a canvas for the unspoken. Meditative sessions took a contemplative turn as Hisha embraced the Empty Art Seal. In the stillness of the village shrine, surrounded by the gentle rustling of leaves, he delved into the depths of nothingness within himself. The emptiness became a source of strength, a reservoir of calm that transcended the fluctuations of the world.
Practice sessions were a journey into the intangible. Hisha learned to manipulate the Empty Art Seal to create illusions that defied perception. In the village square, he crafted scenes that seemed to materialize from thin air, only to dissolve into nothingness with a mere thought. The villagers, accustomed to the tangible arts, marveled at the enigmatic beauty of Hisha's creations. As the Empty Art Seal became an integral part of his repertoire, Hisha's understanding of the interconnectedness of all things deepened. The spaces between elements, the silence within sounds, became his domain. Kirigakure, once a village resonating with the harmonies of thunder, sky, stone, and ocean, now embraced the subtle resonance of emptiness.
Master Kairo, observing Hisha's mastery over the Empty Art Seal, led him to the mist-covered mountains that cradled Kirigakure. Amidst the ancient stones and wisps of mist, Hisha embarked on a profound meditation. The emptiness within and without merged, and he found himself at the crossroads of existence, where form and formlessness danced in an eternal embrace. He was able to use the seal to grip and capture chakra itself as a primal, simple force of power. With the Empty Art Seal, Hisha became a guardian of the delicate balance between being and nothingness and had a mastery over chakra itself. His presence in Kirigakure brought a sense of tranquility, a reminder that amidst the vibrant elements, there existed a profound emptiness waiting to be explored. The village, now a sanctuary of elemental mastery, embraced the enigmatic artistry that Hisha had cultivated.
The misty hills echoed with whispers of the Empty Art Seal, and tales of Hisha's mastery spread beyond the village. Travelers and seekers ventured to Kirigakure, drawn by the allure of the young sealing master who had delved into the mysteries of emptiness. The Wisdom Tree, standing sentinel in the heart of the village, seemed to nod in approval, its branches swaying in an unseen breeze. As the seasons cycled through Kirigakure, Hisha's journey continued, a perpetual exploration of the mystical arts. Master Kairo, content in the knowledge that the village had found a guardian in Hisha, observed the ebb and flow of life with a tranquil gaze. The mist, now touched by the essence of emptiness, danced around the village as a silent testament to the boy who had mastered the elusive Empty Art Seal. He moved then back to the present, a silly memory of an easier time.
Learning All "Art Seal" techniques (6)
Exit; same travel time
Calligraphy sessions with the Empty Art Seal were unlike any Hisha had experienced before. Instead of creating tangible forms, he delved into the art of absence, of the spaces between strokes. Each movement of the brush was a dance with emptiness, and Hisha felt the profound power that lay in the void. Master Kairo guided him with silent wisdom, allowing the emptiness to become a canvas for the unspoken. Meditative sessions took a contemplative turn as Hisha embraced the Empty Art Seal. In the stillness of the village shrine, surrounded by the gentle rustling of leaves, he delved into the depths of nothingness within himself. The emptiness became a source of strength, a reservoir of calm that transcended the fluctuations of the world.
Practice sessions were a journey into the intangible. Hisha learned to manipulate the Empty Art Seal to create illusions that defied perception. In the village square, he crafted scenes that seemed to materialize from thin air, only to dissolve into nothingness with a mere thought. The villagers, accustomed to the tangible arts, marveled at the enigmatic beauty of Hisha's creations. As the Empty Art Seal became an integral part of his repertoire, Hisha's understanding of the interconnectedness of all things deepened. The spaces between elements, the silence within sounds, became his domain. Kirigakure, once a village resonating with the harmonies of thunder, sky, stone, and ocean, now embraced the subtle resonance of emptiness.
Master Kairo, observing Hisha's mastery over the Empty Art Seal, led him to the mist-covered mountains that cradled Kirigakure. Amidst the ancient stones and wisps of mist, Hisha embarked on a profound meditation. The emptiness within and without merged, and he found himself at the crossroads of existence, where form and formlessness danced in an eternal embrace. He was able to use the seal to grip and capture chakra itself as a primal, simple force of power. With the Empty Art Seal, Hisha became a guardian of the delicate balance between being and nothingness and had a mastery over chakra itself. His presence in Kirigakure brought a sense of tranquility, a reminder that amidst the vibrant elements, there existed a profound emptiness waiting to be explored. The village, now a sanctuary of elemental mastery, embraced the enigmatic artistry that Hisha had cultivated.
The misty hills echoed with whispers of the Empty Art Seal, and tales of Hisha's mastery spread beyond the village. Travelers and seekers ventured to Kirigakure, drawn by the allure of the young sealing master who had delved into the mysteries of emptiness. The Wisdom Tree, standing sentinel in the heart of the village, seemed to nod in approval, its branches swaying in an unseen breeze. As the seasons cycled through Kirigakure, Hisha's journey continued, a perpetual exploration of the mystical arts. Master Kairo, content in the knowledge that the village had found a guardian in Hisha, observed the ebb and flow of life with a tranquil gaze. The mist, now touched by the essence of emptiness, danced around the village as a silent testament to the boy who had mastered the elusive Empty Art Seal. He moved then back to the present, a silly memory of an easier time.
Learning All "Art Seal" techniques (6)
Exit; same travel time
_________________
Strength: D
Constitution: D
Stamina: B
Speed: D
Coordination: C
Intelligence: B
Perception: C
Hisha- Mist Genin
- Village : N/A
Posts : 280
Join date : 2021-07-19
Character File
Skills & Elements: None
Class: E
Ryo: Broke
Within the limits of the confines of his mind scape Hisha woud return again to his home village and consider the strength he had embrace. Many strange things had happened to him as of late and he was not entirely sure why he had been traveling all over the place, but ever since meeting with Sero he had developed so new, stronger illusions. He had not learned things of this nature in some time. As he did this, a new memory came to him, but it was not one that he actually remembered; he felt distinctly that the following had not actually happened, and he yet some how knew about what was happening and had the powers and jutsu to show for it. In the shadowed realm of The village hidden inside of the mist that seemed some how corrupted by his altered remembereance, where the mist embraced the village like a protective veil, Hisha's journey through the mystical arts embarked on a new and profound chapter. Master Kairo, with his sage wisdom, discerned the readiness of Hisha to delve into advanced techniques – the Bringer of Darkness, Xenoanthropology, and the Genjutsu Kuramagan. The path of illusions, shadowy and enigmatic, beckoned to Hisha, promising secrets that transcended the bounds of conventional sealing. But Kairo didn’t now genjutsu he thought? Illusion techniques were so incredibly uncommon generally speaking.
Under the velvety cloak of night, beneath the sprawling boughs of the ancient wisdom tree, Master Kairo commenced Hisha's initiation into the elusive Bringer of Darkness technique. This illusionary art, steeped in the essence of obscurity, sought to plunge the surroundings into an impenetrable darkness. With measured precision, Hisha learned to manipulate this shroud, concealing The village hidden inside of the mist from the prying eyes of outsiders. The Bringer of Darkness became more than a mere veil; it morphed into a protective mantle, rendering the village invisible not only as a means of concealment but as a formidable defense strategy, introducing confusion among potential adversaries. The villagers, once accustomed to the natural mist, now marveled at the enigmatic shadows that enshrouded their home, weaving an aura of mystical defense.
As Hisha's proficiency in illusions expanded, Master Kairo ushered him into the arcane discipline of Xenoanthropology – the art of crafting illusions that manifested as otherworldly beings. This technique that had seemingly come to him in a dream was… extremely strange, intense, and profound. It was subtle and weird, and hard to explain sometimes. In secluded clearings and mystical groves, Hisha practiced summoning ethereal creatures that danced in tandem with the mist. Phantasmal figures, inspired by ancient folklore and celestial myths, graced The village hidden inside of the mist with their presence, imparting a sense of awe and wonder to the villagers. Accustomed to the mundane, they now found solace and inspiration in the fantastical illusions that gracefully traversed their midst. Hisha's artistry evolved into a source of communal admiration, turning the mist-laden nights into ethereal showcases of his mastery. Master Kairo, ever attuned to the pulse of Hisha's evolving talents, deemed it time to reveal the secrets of the Genjutsu Kuramagan – an illusionary technique that manipulated perception through the use of a mystical eye. Guided by the sage's profound knowledge, Hisha underwent a rigorous training regimen to awaken the Kuramagan, an eye that transcended the boundaries of ordinary vision. But how did he know abilities of his clan?
In moments of deep meditation, Hisha opened his inner eye, and the Kuramagan revealed itself – a luminous orb adorned with intricate patterns. It granted him access to realms of illusion that surpassed conventional limits. Through the Genjutsu Kuramagan, Hisha could manipulate the perception of time, space, and reality itself. The village square transformed into a vast canvas for Hisha's advanced illusions. With the Genjutsu Kuramagan, he conjured scenes that seemed to defy the laws of nature. Time warped, and the villagers found themselves immersed in dreamlike landscapes that challenged their understanding of reality. Hisha's illusions, born from the harmonious fusion of darkness, xeno real entities, and the Kuramagan, captivated the village in an intricate dance of fantasy and mystique. The mist, once a simple shroud, now bore witness to the elaborate choreography of shadows, phantoms, and ethereal realms. The village hidden inside of the mist, embraced by the artistry of its young sealing master, stood as a testament to the boundless possibilities hidden within the realms of illusion.
As each day unfolded, Hisha's journey through illusions became an ever-evolving narrative, a mesmerizing tale that captured the imaginations of the villagers and beyond. The tales of the Bringer of Darkness, Xenoanthropology, and the Genjutsu Kuramagan became synonymous with his name, a trifecta of illusions that set him apart as a virtuoso in the mystical arts. The villagers marveled at the kaleidoscope of illusions that adorned their lives, each more intricate than the last. As Hisha continued to explore the depths of his art, pushing the boundaries of what was thought possible within the misty embrace of The village hidden inside of the mist, the village transformed into a living testament to the inventive prowess of its sealing master. The once-hidden village became a beacon of illusionary wonder, drawing seekers and scholars from distant lands who yearned to witness the magic woven by Hisha's mastery. The village hidden inside of the mist, the village shrouded in mystery and mist, stood at the intersection of reality and illusion, a testament to the profound artistry of its inventive sealing master and the awe-inspiring potential concealed within the enigmatic depths of the mist-laden realm.
Learning
Xenoanthropology
Bringer of Darkness
Genjutsu: Kuramagan
Exit; same travel time
Under the velvety cloak of night, beneath the sprawling boughs of the ancient wisdom tree, Master Kairo commenced Hisha's initiation into the elusive Bringer of Darkness technique. This illusionary art, steeped in the essence of obscurity, sought to plunge the surroundings into an impenetrable darkness. With measured precision, Hisha learned to manipulate this shroud, concealing The village hidden inside of the mist from the prying eyes of outsiders. The Bringer of Darkness became more than a mere veil; it morphed into a protective mantle, rendering the village invisible not only as a means of concealment but as a formidable defense strategy, introducing confusion among potential adversaries. The villagers, once accustomed to the natural mist, now marveled at the enigmatic shadows that enshrouded their home, weaving an aura of mystical defense.
As Hisha's proficiency in illusions expanded, Master Kairo ushered him into the arcane discipline of Xenoanthropology – the art of crafting illusions that manifested as otherworldly beings. This technique that had seemingly come to him in a dream was… extremely strange, intense, and profound. It was subtle and weird, and hard to explain sometimes. In secluded clearings and mystical groves, Hisha practiced summoning ethereal creatures that danced in tandem with the mist. Phantasmal figures, inspired by ancient folklore and celestial myths, graced The village hidden inside of the mist with their presence, imparting a sense of awe and wonder to the villagers. Accustomed to the mundane, they now found solace and inspiration in the fantastical illusions that gracefully traversed their midst. Hisha's artistry evolved into a source of communal admiration, turning the mist-laden nights into ethereal showcases of his mastery. Master Kairo, ever attuned to the pulse of Hisha's evolving talents, deemed it time to reveal the secrets of the Genjutsu Kuramagan – an illusionary technique that manipulated perception through the use of a mystical eye. Guided by the sage's profound knowledge, Hisha underwent a rigorous training regimen to awaken the Kuramagan, an eye that transcended the boundaries of ordinary vision. But how did he know abilities of his clan?
In moments of deep meditation, Hisha opened his inner eye, and the Kuramagan revealed itself – a luminous orb adorned with intricate patterns. It granted him access to realms of illusion that surpassed conventional limits. Through the Genjutsu Kuramagan, Hisha could manipulate the perception of time, space, and reality itself. The village square transformed into a vast canvas for Hisha's advanced illusions. With the Genjutsu Kuramagan, he conjured scenes that seemed to defy the laws of nature. Time warped, and the villagers found themselves immersed in dreamlike landscapes that challenged their understanding of reality. Hisha's illusions, born from the harmonious fusion of darkness, xeno real entities, and the Kuramagan, captivated the village in an intricate dance of fantasy and mystique. The mist, once a simple shroud, now bore witness to the elaborate choreography of shadows, phantoms, and ethereal realms. The village hidden inside of the mist, embraced by the artistry of its young sealing master, stood as a testament to the boundless possibilities hidden within the realms of illusion.
As each day unfolded, Hisha's journey through illusions became an ever-evolving narrative, a mesmerizing tale that captured the imaginations of the villagers and beyond. The tales of the Bringer of Darkness, Xenoanthropology, and the Genjutsu Kuramagan became synonymous with his name, a trifecta of illusions that set him apart as a virtuoso in the mystical arts. The villagers marveled at the kaleidoscope of illusions that adorned their lives, each more intricate than the last. As Hisha continued to explore the depths of his art, pushing the boundaries of what was thought possible within the misty embrace of The village hidden inside of the mist, the village transformed into a living testament to the inventive prowess of its sealing master. The once-hidden village became a beacon of illusionary wonder, drawing seekers and scholars from distant lands who yearned to witness the magic woven by Hisha's mastery. The village hidden inside of the mist, the village shrouded in mystery and mist, stood at the intersection of reality and illusion, a testament to the profound artistry of its inventive sealing master and the awe-inspiring potential concealed within the enigmatic depths of the mist-laden realm.
Learning
Xenoanthropology
Bringer of Darkness
Genjutsu: Kuramagan
Exit; same travel time
_________________
Strength: D
Constitution: D
Stamina: B
Speed: D
Coordination: C
Intelligence: B
Perception: C
Hisha- Mist Genin
- Village : N/A
Posts : 280
Join date : 2021-07-19
Character File
Skills & Elements: None
Class: E
Ryo: Broke
He’d been there the whole time trapped in his revery with his rather some what long time friend Isamu who had met long ago. This was one of the few friends he had even made at that point in his life though the relationship had always seemed rather odd as if the boy existed out of convenience and not in an actual physical form. Though here on this very boat they were on it was clear that he had been real in fact. Yet even as he noticed this fact he had previously ignored he was reminded instead of the fact that he had at least one more quick session of memories to look through and was taken back into the reverie like he had been before which took no time in the real world but which was quite real to him though quick and again he recalled things that he was not entirely sure had actually happened. He was brought back to a different time, once more with his former master, when his journey through the life a shinobi continued to unfold. Master Kairo, recognizing the need to broaden Hisha's repertoire, introduced him to two unique techniques – Thinking Hard and Drawing Hard.
Thinking Hard, an illusion technique of profound subtlety, challenged Hisha to delve into the recesses of his intellect. Under the rustling leaves of the Wisdom Tree, Master Kairo initiated Hisha into the art of crafting illusions through the sheer power of mental focus. The young apprentice closed his eyes, immersing himself in deep contemplation, and with each concentrated thought, illusions began to manifest. Thinking Hard allowed Hisha to manipulate perception by projecting intricate illusions rooted in the depths of his mind. It wasn't just about creating vivid scenes but shaping the very essence of reality through the sheer intensity of his thoughts. In the village square, Hisha demonstrated the prowess of Thinking Hard, conjuring illusions that challenged the villagers' senses. Kirigakure, accustomed to the mist's veiled wonders, now marveled at the intangible illusions woven by Hisha's mental acuity.
Shortly after this endeavor, Master Kairo introduced Hisha to the Drawing Hard sealing technique. This ancient art required Hisha to infuse his drawings with profound sealing energy, transcending the limitations of traditional seals. In the quietude of the sealing chamber, Hisha meticulously etched symbols onto parchment, infusing each stroke with energy that resonated with the very essence of his being. It would greatly enhance his powers. Drawing Hard, as a sealing technique, demanded not just precision but a profound connection between the artist and the art. Each seal became a manifestation of Hisha's intent, capable of shaping and channeling energies with unparalleled finesse. The village elders observed as Hisha's drawings, seemingly simple yet intricately adorned with seals, took on a life of their own. Kirigakure, a haven of mysticism, became the canvas upon which Hisha painted the fusion of art and sealing mastery.
Thinking Hard and Drawing Hard, when combined, would grant him incredible flexibility in the face of coming challenges, but would more importantly allow him to do all sorts of powerful things and learn more advanced abilities and the like. The increase in his abilities would be very beneficial though he found that he would not use them together and could perhaps improve upon them a bit. Thinking Hard in particular was quite odd. The mist-laden nights became an immersive tapestry of illusions and seals, captivating the village in a symphony of wonder and his memory faded and he returned to his present time.
He found he had a collection of drawing implements in hand and that Isamu was preparing to leave it seemed. The other boy had drawn upon his own scroll a huge, scary and quite terrifying wyvern, Hisha a collection of rats all about. He did not remember this, but with a single half seal both him and his companion caused the creatures to come to life, lifting from the page and exploding out into the real world, coming to life as great versions of themselves. He vaguely recalled having learned something, the chouju giga or super beast imitation drawing skill, though did not know exactly how he had come to know this though the two had clearly practiced creating these images in a certain way. Hisha allowed the rats to meander through the ship in the dark corners gathering information. He could use these. Isamu needed to leave though from what he had gathered, and through a haze it seemed he had perhaps asked this of him, and so shortly after the two would need to part ways.
Before he parted ways with this friend he would try again but this time use a separate technique, this time making use of the technique called the Ink Flush technique which would be much like the rats he had crated but changed in a small way. All the while and without his knowledge his Kuramagan continued to flow not only through him but also through Isamu, this other person with him. He would use the same seal and release a huge swarm of bees, a whole collection of small creatures though much weaker than before. Difficult to say why this should be useful he supposed but it was not great matter, it could form a useful and helpful building block as he went forward and he would need to create some new techniques of these kinds and sorts. He also found he would be able to craft a clone out of ink, another of these special techniques from this guild he had been raised in. This one did not seem as useful and he already had clones but it could have some use he supposed. Before Isamu left, however, he would comply with a small demand: to write down and hand over the basics of the remainder of his clan’s secret techniques. Once completed, Isamu would mount the Wyvern and lift off, returning to the island they had previously been on before. He would invigorate himself with energy for the ride as well, a simple ability but which would fortify him going forward. It would in turn allow him to energize his mount. He couldn’t believe how foolish he’d been to spend all that time searching only to forget to complete it. Ha!
If for some strange, unforeseeable reason Isamu could not conjure a wyvern, he would simply make a large bird to ride and head out all the same.
Learning
Super Beast Imitation Drawing
Ink Flush
Thinking Hard ( C )
Drawing Hard ( C )
Ink Clone
Using Genjutsu: Kuramagan to read Isamu’s mind and get the techs
Compelling him to give a scroll of the other clan techs
Isamu exit, fly’s back to Crimson State ~ 06MAR 2045
Exit Hisha, same timer
Thinking Hard, an illusion technique of profound subtlety, challenged Hisha to delve into the recesses of his intellect. Under the rustling leaves of the Wisdom Tree, Master Kairo initiated Hisha into the art of crafting illusions through the sheer power of mental focus. The young apprentice closed his eyes, immersing himself in deep contemplation, and with each concentrated thought, illusions began to manifest. Thinking Hard allowed Hisha to manipulate perception by projecting intricate illusions rooted in the depths of his mind. It wasn't just about creating vivid scenes but shaping the very essence of reality through the sheer intensity of his thoughts. In the village square, Hisha demonstrated the prowess of Thinking Hard, conjuring illusions that challenged the villagers' senses. Kirigakure, accustomed to the mist's veiled wonders, now marveled at the intangible illusions woven by Hisha's mental acuity.
Shortly after this endeavor, Master Kairo introduced Hisha to the Drawing Hard sealing technique. This ancient art required Hisha to infuse his drawings with profound sealing energy, transcending the limitations of traditional seals. In the quietude of the sealing chamber, Hisha meticulously etched symbols onto parchment, infusing each stroke with energy that resonated with the very essence of his being. It would greatly enhance his powers. Drawing Hard, as a sealing technique, demanded not just precision but a profound connection between the artist and the art. Each seal became a manifestation of Hisha's intent, capable of shaping and channeling energies with unparalleled finesse. The village elders observed as Hisha's drawings, seemingly simple yet intricately adorned with seals, took on a life of their own. Kirigakure, a haven of mysticism, became the canvas upon which Hisha painted the fusion of art and sealing mastery.
Thinking Hard and Drawing Hard, when combined, would grant him incredible flexibility in the face of coming challenges, but would more importantly allow him to do all sorts of powerful things and learn more advanced abilities and the like. The increase in his abilities would be very beneficial though he found that he would not use them together and could perhaps improve upon them a bit. Thinking Hard in particular was quite odd. The mist-laden nights became an immersive tapestry of illusions and seals, captivating the village in a symphony of wonder and his memory faded and he returned to his present time.
He found he had a collection of drawing implements in hand and that Isamu was preparing to leave it seemed. The other boy had drawn upon his own scroll a huge, scary and quite terrifying wyvern, Hisha a collection of rats all about. He did not remember this, but with a single half seal both him and his companion caused the creatures to come to life, lifting from the page and exploding out into the real world, coming to life as great versions of themselves. He vaguely recalled having learned something, the chouju giga or super beast imitation drawing skill, though did not know exactly how he had come to know this though the two had clearly practiced creating these images in a certain way. Hisha allowed the rats to meander through the ship in the dark corners gathering information. He could use these. Isamu needed to leave though from what he had gathered, and through a haze it seemed he had perhaps asked this of him, and so shortly after the two would need to part ways.
Before he parted ways with this friend he would try again but this time use a separate technique, this time making use of the technique called the Ink Flush technique which would be much like the rats he had crated but changed in a small way. All the while and without his knowledge his Kuramagan continued to flow not only through him but also through Isamu, this other person with him. He would use the same seal and release a huge swarm of bees, a whole collection of small creatures though much weaker than before. Difficult to say why this should be useful he supposed but it was not great matter, it could form a useful and helpful building block as he went forward and he would need to create some new techniques of these kinds and sorts. He also found he would be able to craft a clone out of ink, another of these special techniques from this guild he had been raised in. This one did not seem as useful and he already had clones but it could have some use he supposed. Before Isamu left, however, he would comply with a small demand: to write down and hand over the basics of the remainder of his clan’s secret techniques. Once completed, Isamu would mount the Wyvern and lift off, returning to the island they had previously been on before. He would invigorate himself with energy for the ride as well, a simple ability but which would fortify him going forward. It would in turn allow him to energize his mount. He couldn’t believe how foolish he’d been to spend all that time searching only to forget to complete it. Ha!
If for some strange, unforeseeable reason Isamu could not conjure a wyvern, he would simply make a large bird to ride and head out all the same.
Learning
Super Beast Imitation Drawing
Ink Flush
Thinking Hard ( C )
Drawing Hard ( C )
Ink Clone
Using Genjutsu: Kuramagan to read Isamu’s mind and get the techs
Compelling him to give a scroll of the other clan techs
Isamu exit, fly’s back to Crimson State ~ 06MAR 2045
Exit Hisha, same timer
_________________
Strength: D
Constitution: D
Stamina: B
Speed: D
Coordination: C
Intelligence: B
Perception: C
Similar topics
|
|
|